I had a great time in York on Tuesday evenings. It was a lovely audience with plenty of comments and questions afterwards. And it was international with people watching from the States (and maybe elsewhere) via Google Hangouts. And then afterwards on to the pub, where the conversation continued with the likes of Nigel Walter, Don Henson (member of the National Trust’s learning panel) and gamingarcheo herself Tara Copplestone, over delicious pints of Thwaits Nutty Black. (The bit in the pub wasn’t livestreamed.)
The advantage of being on Google Hangouts is that all my stumbles, stutters leafing through notes, umms and errs and slideshow reversals are recorded for ever on YouTube’s massive server farms. If you missed it, you can enjoy it now:
The sound is out for the first minute but fear not, it’s not delivered entirely in the medium of mime. This is (approximately) what I said between Sara’s introduction and when the sound kicks in:
I’m going to keep this story simple, and tell it in three parts – the beginning, the middle and the end. In the beginning I’m going to explain why heritage professionals should be interested in digital computer games.In the second part, I’m going to explain why they shouldn’t. And finally I’m going to explore the state of madness to which this dichotomy has driven me.